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Cassandra Austen’s drawing of Jane Austen seated with folded arms and wearing a cap.

Jane Austen

1775–1817

English novelist

Jane Austen grew up in a Hampshire clerical family, reading widely and writing comic stories while still young. Her adult life included stays in Bath and Southampton before she settled at Chawton. Family relationships and the practical limits placed on women helped shape the world in which she wrote her novels.

Her fiction follows courtship through the workings of money, rank, conversation, and mistaken judgment. Irony lets readers see both a character’s understanding and what escapes it. Six completed novels appeared between 1811 and 1818, the last two after her death. Earlier stories, unfinished novels, surviving letters, poems, and prayers reveal a broader range of experiments and private occasions.

How to read Jane Austen

Read for the distance between what people say, what they think, and what their circumstances allow. Courtship matters, but so do income, housing, inheritance, and the confidence with which someone judges a neighbor.

The bibliography maps all six completed novels, the surviving unfinished fiction and juvenile notebooks, and coherent groups of letters, poems, prayers, and minor manuscripts. Earlier draft titles are not duplicate novels; a modern editor’s additions or a later completion are not Austen’s text.

The six completed novels

Pride and Prejudice is a clear starting point; follow it with Emma to watch a narrator closely tied to a mistaken observer. Mansfield Park and Persuasion bring different pressures of dependence, duty, and regret.

  1. Sense and Sensibility
  2. Pride and Prejudice
  3. Mansfield Park
  4. Emma
  5. Northanger Abbey
  6. Persuasion

Early fiction and unfinished novels

Lady Susan tells its story through letters. The Watsons and Sanditon remain fragments; later continuations by other writers are separate works and are outside this map.

  1. Lady Susan
  2. The Watsons
  3. Sanditon

The juvenile notebooks

Keep Austen’s three manuscript volumes together as distinct collections. They include stories, plays, verses, and comic fragments, including Love and Freindship and The History of England; their youthful exaggeration differs from the later novels.

  1. Juvenilia: Volume the First
  2. Juvenilia: Volume the Second
  3. Juvenilia: Volume the Third

Other surviving writings

These units preserve letters, occasional verse, devotional writing, and small documents about authorship. They name the surviving material, without implying that every letter Austen wrote has been preserved. Sir Charles Grandison is retained as an attributed play with disputed authorship; the marginalia and mock marriage entries preserve further surviving writing.

  1. Surviving Letters
  2. Poems outside the Juvenilia
  3. Prayers
  4. Plan of a Novel, According to Hints from Various Quarters
  5. Opinions of Mansfield Park and Emma
  6. Cancelled Chapters and Other Manuscript Notes
  7. Sir Charles Grandison
  8. Marginalia and Mock Marriage Entries
Reading guide sources
  1. Jane Austen Society of North America, “Jane Austen’s Works,” JASNA, undated; accessed 21 October 2026, Six novels; chronology; collected letters.
  2. Jane Austen Society of North America, “Jane Austen’s Works,” JASNA, undated; accessed 21 October 2026, Six novels; chronology; collected letters. Kathryn Sutherland, editor, “Jane Austen’s Fiction Manuscripts: Manuscripts index,” University of Oxford / King’s College London digital edition, 2010; accessed 21 October 2026, Juvenilia; fiction drafts; ancillary manuscripts.
  3. Jane Austen Society of North America, “Jane Austen’s Works,” JASNA, undated; accessed 21 October 2026, Six novels; chronology; collected letters.
  4. Kathryn Sutherland, editor, “Jane Austen’s Fiction Manuscripts: Manuscripts index,” University of Oxford / King’s College London digital edition, 2010; accessed 21 October 2026, Juvenilia; fiction drafts; ancillary manuscripts.
  5. Kathryn Sutherland, editor, “Jane Austen’s Fiction Manuscripts: Manuscripts index,” University of Oxford / King’s College London digital edition, 2010; accessed 21 October 2026, Juvenilia; fiction drafts; ancillary manuscripts.
  6. Kathryn Sutherland, editor, “Jane Austen’s Fiction Manuscripts: Manuscripts index,” University of Oxford / King’s College London digital edition, 2010; accessed 21 October 2026, Juvenilia; fiction drafts; ancillary manuscripts. Janet Todd and Linda Bree, editors, “Later Manuscripts,” Cambridge University Press, 2008, Contents; poems and charades; appendix of ascribed works and prayers. Peter Sabor, editor, “Juvenilia,” Cambridge University Press, 2006, Editorial introduction; marginalia and mock marriage entries.

Works in the library

20 under development
Sources & portrait
  1. Jane Austen Society of North America, “Jane Austen: A Brief Biography,” JASNA, undated; accessed 21 October 2026, Education and Influences; Early Works; Publication and Later Life.
  2. Jane Austen Society of North America, “Jane Austen’s Works,” JASNA, undated; accessed 21 October 2026, Six novels; chronology; collected letters. Kathryn Sutherland, editor, “Jane Austen’s Fiction Manuscripts: Manuscripts index,” University of Oxford / King’s College London digital edition, 2010; accessed 21 October 2026, Juvenilia; fiction drafts; ancillary manuscripts. Janet Todd and Linda Bree, editors, “Later Manuscripts,” Cambridge University Press, 2008, Contents; poems and charades; appendix of ascribed works and prayers.

Portrait: Cassandra Austen, pencil and watercolor portrait, c. 1810. National Portrait Gallery, London, NPG 3630. Displayed in monochrome. Image source. Collection record. Public-domain historical work and faithful reproduction. Displayed in monochrome with a circular crop.

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