← Authors
Painted portrait of Edward Gibbon in a dark coat, facing slightly to the side.

Edward Gibbon

1737–1794

English historian and essayist

Edward Gibbon combined historical writing with a career in Parliament and membership of London’s literary society. His intellectual life also developed in continental Europe, particularly Lausanne. The six volumes of The Decline and Fall of the Roman Empire appeared between 1776 and 1788, bringing a long historical undertaking to completion before the French Revolution.

Gibbon followed political and religious transformations far beyond the fall of the western empire, through Byzantium, Islam, and the later medieval world. His sceptical prose and extensive use of sources give narrative and commentary distinct voices. Shorter essays, reading journals, letters, and several autobiographical drafts reveal the habits of inquiry behind the finished history.

How to read Edward Gibbon

The memoirs offer a compact introduction to Gibbon’s habits before the long history. In The Decline and Fall, notice how the explanation changes as the narrative moves from the western empire to Byzantium and its neighbours. Read the footnotes as part of the argument, not merely as a list of authorities.

The Roman history and its defence

The Decline and Fall is one six-volume work, although later editors divide it differently. Read the notes alongside the narrative: they expose sources, disputes, and changes of tone. The Vindication responds to attacks on Gibbon’s treatment of early Christianity.

  1. The History of the Decline and Fall of the Roman Empire
  2. A Vindication of Some Passages in the Fifteenth and Sixteenth Chapters

Literary criticism and political history

These shorter works show Gibbon testing evidence beyond the main history. Several were written in French. Historical English translations should remain distinct from Gibbon’s originals when a text is eventually prepared.

  1. Essai sur l’étude de la littérature
  2. Critical Observations on the Design of the Sixth Book of the Aeneid
  3. A Dissertation on the Subject of L’Homme au Masque de Fer
  4. Mémoire justificatif
  5. Antiquities of the House of Brunswick
  6. An Address, &c.
  7. Outlines of the History of the World

The historian at work

The autobiographies survive in multiple drafts; Sheffield combined material when producing the first memoir. Letters, journals, abstracts, and detached pieces are grouped by their documentary form, preserving their difference from completed books.

  1. Autobiographies (Memoirs of My Life and Writings)
  2. Correspondence
  3. Abstracts of Reading with Reflections
  4. Journals
  5. Collected Remarks and Detached Pieces

The bibliography maps the completed history, independently titled essays and political pieces, and collections of autobiographical drafts, letters, journals, reading notes, and detached writings. Minor and unfinished writings remain within these collections. This is a work map; no historical or modern edition is activated.

Reading guide sources
  1. Edward Gibbon; John Baker Holroyd, Lord Sheffield, editor, “Miscellaneous Works of Edward Gibbon, Esquire, volume 1,” Cambridge Library Collection, Cambridge University Press, 1796; reissued April 17, 2014, Book description and contents, memoirs and correspondence. J. G. A. Pocock, “Gibbon’s Decline and Fall and the World View of the Late Enlightenment,” Virtue, Commerce, and History, Cambridge University Press, 1985; published online May 5, 2010, pp. 143–156; opening summary.
  2. Edward Gibbon; J. B. Bury, editor, “The History of the Decline and Fall of the Roman Empire, volume 1,” Cambridge Library Collection, Cambridge University Press, 1896; reissued February 14, 2013, Book description; original six volumes, 1776–1788.
  3. Edward Gibbon; John Baker Holroyd, Lord Sheffield, editor, “Miscellaneous Works of Edward Gibbon, Esquire, volume 2,” Cambridge Library Collection, Cambridge University Press, 1796; reissued April 17, 2014, Contents, sections I–XI.
  4. Edward Gibbon; John Baker Holroyd, Lord Sheffield, editor, “Miscellaneous Works of Edward Gibbon, Esquire, volume 1,” Cambridge Library Collection, Cambridge University Press, 1796; reissued April 17, 2014, Book description and contents, memoirs and correspondence.
  5. Edward Gibbon; John Baker Holroyd, Lord Sheffield, editor, “Miscellaneous Works of Edward Gibbon, Esquire, volume 1,” Cambridge Library Collection, Cambridge University Press, 1796; reissued April 17, 2014, Book description and contents, memoirs and correspondence. Edward Gibbon; John Baker Holroyd, Lord Sheffield, editor, “Miscellaneous Works of Edward Gibbon, Esquire, volume 2,” Cambridge Library Collection, Cambridge University Press, 1796; reissued April 17, 2014, Contents, sections I–XI.

Works in the library

14 under development
Sources & portrait
  1. Penguin Random House editors, “Edward Gibbon,” Penguin Random House, undated; accessed October 21, 2026, Author biography. J. G. A. Pocock, “Gibbon’s Decline and Fall and the World View of the Late Enlightenment,” Virtue, Commerce, and History, Cambridge University Press, 1985; published online May 5, 2010, pp. 143–156; opening summary.
  2. Edward Gibbon; J. B. Bury, editor, “The History of the Decline and Fall of the Roman Empire, volume 1,” Cambridge Library Collection, Cambridge University Press, 1896; reissued February 14, 2013, Book description; original six volumes, 1776–1788. Edward Gibbon; John Baker Holroyd, Lord Sheffield, editor, “Miscellaneous Works of Edward Gibbon, Esquire, volume 1,” Cambridge Library Collection, Cambridge University Press, 1796; reissued April 17, 2014, Book description and contents, memoirs and correspondence. Edward Gibbon; John Baker Holroyd, Lord Sheffield, editor, “Miscellaneous Works of Edward Gibbon, Esquire, volume 2,” Cambridge Library Collection, Cambridge University Press, 1796; reissued April 17, 2014, Contents, sections I–XI.

Portrait: Joshua Reynolds, Edward Gibbon, 1779, oil on canvas, private collection. Displayed in monochrome and cropped in a circular frame. Image source. Public domain; faithful reproduction of a painting by Joshua Reynolds (1723–1792).. Displayed in monochrome with a circular crop.

Feedback

The current page link is included. Privacy