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Portrait of Isaac Newton with shoulder-length hair, wearing a dark robe.

Isaac Newton

1642/43–1727

English mathematician and natural philosopher

Isaac Newton entered Trinity College, Cambridge, in 1661 and became Lucasian Professor of Mathematics eight years later. His investigations of motion, light, and mathematics developed alongside extensive private studies of alchemy and theology. Later he moved to London, served at the Royal Mint, and became president of the Royal Society.

Newton’s Principia connected terrestrial and celestial motion through mathematical laws and universal gravitation. Opticks pursued questions about light through experiments and further queries. His surviving papers reveal a wider intellectual world, including biblical interpretation, ancient history, laboratory practice, and administrative work. Many of these writings remained unpublished during his lifetime and require attention to their manuscript setting.

How to read Isaac Newton

Approach Newton through the question being investigated: motion, light, number, scripture, or historical time. Principia demands sustained mathematical reading; Opticks provides a more experimental entrance. This route follows the breadth of the surviving writings without presenting Newton’s private drafts as books he completed for publication.

Motion, light, and experiment

Opticks begins with experiments that are easier to follow than the mathematical demonstrations of Principia. The System of the World preserves an earlier form of its final book. Short papers and the optical lectures supply further evidence of how Newton developed and defended his claims.

  1. Mathematical Principles of Natural Philosophy (Principia)
  2. Opticks
  3. The System of the World
  4. Optical Lectures
  5. Scientific and Optical Papers

Mathematics

These treatises make the mathematical corpus visible beyond Principia. Some were printed only long after composition; their publication dates do not establish the order of Newton’s discoveries. Further problems, drafts, and lecture notes remain together in the mathematical-papers collection.

  1. De Analysi per Aequationes Numero Terminorum Infinitas
  2. The Method of Fluxions and Infinite Series
  3. Tractatus de Quadratura Curvarum
  4. Enumeratio Linearum Tertii Ordinis
  5. Arithmetica Universalis
  6. Methodus Differentialis
  7. Mathematical Papers and Drafts

Scripture, chronology, and natural philosophy

The published theological and chronological books are only part of this writing. Read the remaining manuscripts as drafts of different dates and purposes. The Bentley letters belong within correspondence; religious and alchemical manuscripts should retain their original archival identities.

  1. The Chronology of Ancient Kingdoms Amended
  2. Observations upon the Prophecies of Daniel and the Apocalypse of St. John
  3. A Dissertation upon the Sacred Cubit of the Jews
  4. An Historical Account of Two Notable Corruptions of Scripture
  5. Religious and Historical Manuscripts
  6. Alchemical Manuscripts

Notebooks, letters, and public work

Notebooks preserve reading and experiments at different stages. Correspondence includes the Bentley letters and the mathematical and optical exchanges. Mint and political papers belong to Newton’s public career; they should not disappear from a bibliography centred on physics.

  1. Notebooks
  2. Correspondence
  3. Mint Papers
  4. Political and Institutional Papers

Independent treatises are listed by work, while the remaining mathematical, scientific, religious, alchemical, political, and Mint writings form explicit collections. Notebooks and letters are grouped. The birth-year notation preserves the difference between the Julian and Gregorian calendars; no modern transcription or translation is cleared by this bibliography.

Reading guide sources
  1. Rob Iliffe and Scott Mandelbrote, editors, “Introduction to the Texts,” University of Oxford, The Newton Project, undated; accessed October 21, 2026, secs. A–D, religious, mathematical, scientific and political materials.
  2. George Smith, “Isaac Newton,” Stanford Encyclopedia of Philosophy, Summer 2024 edition, published December 19, 2007, secs. 1.1–1.4; Bibliography: Primary Sources.
  3. George Smith, “Isaac Newton,” Stanford Encyclopedia of Philosophy, Summer 2024 edition, published December 19, 2007, secs. 1.1–1.4; Bibliography: Primary Sources.
  4. Rob Iliffe and Scott Mandelbrote, editors, “Newton’s Religious Writings,” University of Oxford, The Newton Project, undated; accessed October 21, 2026, Religious writings catalog, including THEM00193, THEM00091 and chronology drafts.
  5. Rob Iliffe and Scott Mandelbrote, editors, “Introduction to the Texts,” University of Oxford, The Newton Project, undated; accessed October 21, 2026, secs. A–D, religious, mathematical, scientific and political materials.
  6. Rob Iliffe and Scott Mandelbrote, editors, “Introduction to the Texts,” University of Oxford, The Newton Project, undated; accessed October 21, 2026, secs. A–D, religious, mathematical, scientific and political materials. Rob Iliffe and Scott Mandelbrote, editors, “Introducing Newton’s Notebooks,” University of Oxford, The Newton Project, undated; accessed October 21, 2026, Notebook descriptions.

Works in the library

22 under development
Sources & portrait
  1. George Smith, “Isaac Newton,” Stanford Encyclopedia of Philosophy, Summer 2024 edition, published December 19, 2007, secs. 1.1–1.4; Bibliography: Primary Sources.
  2. Rob Iliffe and Scott Mandelbrote, editors, “Introduction to the Texts,” University of Oxford, The Newton Project, undated; accessed October 21, 2026, secs. A–D, religious, mathematical, scientific and political materials. George Smith, “Isaac Newton,” Stanford Encyclopedia of Philosophy, Summer 2024 edition, published December 19, 2007, secs. 1.1–1.4; Bibliography: Primary Sources.

Portrait: James Thornhill after Godfrey Kneller’s 1689 portrait of Isaac Newton. Isaac Newton Institute, University of Cambridge. Displayed in monochrome and cropped in a circular frame. Image source. Collection record. Public domain; faithful reproduction of an eighteenth-century painting after Godfrey Kneller.. Displayed in monochrome with a circular crop.

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