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Engraved portrait of William Shakespeare, with a broad collar and receding hair.

William Shakespeare

1564–1616

English playwright and poet

William Shakespeare grew up in Stratford-upon-Avon and built his theatrical career in London. He worked as an actor, playwright, and shareholder in the company later called the King’s Men. Records establish much of his professional life, though gaps remain, including the years before he emerged as a London dramatist.

His plays move between domestic comedy, political history, tragedy, and stories of separation and reunion. Characters argue, perform, and misunderstand one another in language shaped for the stage. Alongside the plays, his sonnets and narrative poems explore desire, time, violence, and remembrance. Some dramatic works were written collaboratively, and their surviving texts often differ between early editions.

How to read William Shakespeare

Try A Midsummer Night’s Dream for comedy or Macbeth for tragedy, then read across forms. Stage directions, pauses, and changes of audience are part of the writing: these are scripts for speaking and acting.

This map covers the surviving collected plays and poems, with collaborative additions and qualified attributions. Lost works such as Love’s Labor’s Won and Cardenio are not presented as recoverable books. Early quartos and the First Folio may preserve different versions of the same play.

Comedy and difficult courtships

Read the comedies as performances: disguise and overheard speech often make the audience know more than the characters. The later comedies also press uncomfortable questions about coercion and judgment.

  1. The Comedy of Errors
  2. The Taming of the Shrew
  3. The Two Gentlemen of Verona
  4. Love’s Labor’s Lost
  5. A Midsummer Night’s Dream
  6. The Merchant of Venice
  7. The Merry Wives of Windsor
  8. Much Ado About Nothing
  9. As You Like It
  10. Twelfth Night
  11. All’s Well That Ends Well
  12. Measure for Measure

English kings and civil conflict

Richard II, both Henry IV plays, and Henry V form a useful sequence. The Henry VI plays and Richard III continue into the later dynastic struggle; their dramatic history is shaped by the conditions of Shakespeare’s theater.

  1. King John
  2. Richard II
  3. Henry IV, Part 1
  4. Henry IV, Part 2
  5. Henry V
  6. Henry VI, Part 1
  7. Henry VI, Part 2
  8. Henry VI, Part 3
  9. Richard III
  10. Henry VIII

Tragedy, argument, and revenge

Macbeth offers a compact entrance to tragedy; Hamlet is more expansive and questioning. Attend to what a character says in public and what changes in soliloquy.

  1. Titus Andronicus
  2. Romeo and Juliet
  3. Julius Caesar
  4. Hamlet
  5. Othello
  6. King Lear
  7. Macbeth
  8. Antony and Cleopatra
  9. Coriolanus
  10. Timon of Athens
  11. Troilus and Cressida

Separation and return

The late romances mix danger, loss, and reunion. Pericles and The Two Noble Kinsmen belong to Shakespeare’s collaborative theater, rather than a purely solitary authorship.

  1. Pericles
  2. Cymbeline
  3. The Winter’s Tale
  4. The Tempest
  5. The Two Noble Kinsmen

Poems and collected sonnets

The sonnets form one collection, rather than 154 separate catalog entries. The Passionate Pilgrim entry covers Shakespeare’s contributions only; the anthology as a whole is not his work.

  1. Sonnets
  2. Venus and Adonis
  3. The Rape of Lucrece
  4. The Phoenix and Turtle
  5. A Lover’s Complaint
  6. Contributions to The Passionate Pilgrim

Collaborative additions

These entries extend the familiar collected canon. Edward III has a debated division of authorship; Sir Thomas More concerns Shakespeare’s contribution to a play with several writers.

  1. Edward III
  2. Contribution to Sir Thomas More
Reading guide sources
  1. Folger Shakespeare Library, “All Shakespeare’s works,” Folger Shakespeare Library, undated; accessed 21 October 2026, A–Z introductions to plays and poems.
  2. Folger Shakespeare Library, “All Shakespeare’s works,” Folger Shakespeare Library, undated; accessed 21 October 2026, A–Z introductions to plays and poems.
  3. Folger Shakespeare Library, “All Shakespeare’s works,” Folger Shakespeare Library, undated; accessed 21 October 2026, A–Z introductions to plays and poems.
  4. Folger Shakespeare Library, “All Shakespeare’s works,” Folger Shakespeare Library, undated; accessed 21 October 2026, A–Z introductions to plays and poems. Folger Shakespeare Library, “Henry VI, Part 1: Act 1, scene 1,” Folger Shakespeare Library, undated; accessed October 21, 2026, Scene synopsis: funeral of Henry V.
  5. Folger Shakespeare Library, “All Shakespeare’s works,” Folger Shakespeare Library, undated; accessed 21 October 2026, A–Z introductions to plays and poems.
  6. Folger Shakespeare Library, “All Shakespeare’s works,” Folger Shakespeare Library, undated; accessed 21 October 2026, A–Z introductions to plays and poems.
  7. Folger Shakespeare Library, “Shakespeare’s poems,” Folger Shakespeare Library, undated; accessed 21 October 2026, Sonnets and Poems. Peter Kirwan, “The Passionate Pilgrim, second edition,” Shakespeare Documented / Folger Shakespeare Library, updated 11 August 2020, Authorship: five Shakespeare poems within twenty-poem miscellany. Barbara Mowat and Paul Werstine, “An Introduction to This Text: Venus and Adonis,” Folger Shakespeare Library, undated; accessed 21 October 2026, Publication history and disputed attribution of A Lover’s Complaint.
  8. Giorgio Melchiori, editor, “King Edward III,” Cambridge University Press, 1998, New Cambridge Shakespeare: authorship and contents. John Jowett, editor, “Sir Thomas More,” Arden Shakespeare / Bloomsbury, 2011, Publisher description; collaborative authorship.

Works in the library

46 under development
Sources & portrait
  1. Folger Shakespeare Library, “Shakespeare’s life,” Folger Shakespeare Library, undated; accessed 21 October 2026, Birth and childhood; London theater; Final years.
  2. Folger Shakespeare Library, “All Shakespeare’s works,” Folger Shakespeare Library, undated; accessed 21 October 2026, A–Z introductions to plays and poems.

Portrait: Martin Droeshout, engraving for the First Folio, 1623. Reproduction of the Bodleian Libraries copy. Displayed in monochrome. Image source. Collection record. Public-domain historical work and faithful reproduction. Displayed in monochrome with a circular crop.

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