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Ilya Repin’s portrait of Leo Tolstoy, seated with a long beard and dark shirt.

Leo Tolstoy

1828–1910

Russian novelist and moral thinker

Leo Tolstoy was born at Yasnaya Polyana into a Russian aristocratic family. Military service in the Caucasus and at Sevastopol informed his early fiction. Back at his estate, he experimented with education for peasant children. Marriage and family life accompanied the long work of writing War and Peace and Anna Karenina.

His attention to gesture, memory, and conflicting motives gives private experience a place within large social worlds. Later religious and moral inquiries challenged church authority, property, punishment, and war. These commitments shaped essays, stories, plays, and educational writing, while his diaries and correspondence record continuing tensions between the life he advocated and the circumstances in which he lived.

How to read Leo Tolstoy

The Death of Ivan Ilyich offers a short route into Tolstoy’s attention to ordinary habits and profound doubt. Anna Karenina and War and Peace reward a slower engagement with many connected lives. His essays make a different demand: they openly ask readers to change how they live.

This is a collected-corpus map at book and collection level, bounded by the ninety-volume Jubilee Edition. Independently listed novels, longer narratives, plays, primers, and major treatises sit beside scoped collections covering remaining stories, essays, translations, diaries, letters, and drafts. A collection entry may contain many individually titled pieces. No text, translation, or modern editorial apparatus is published here.

Novels and the autobiographical trilogy

Childhood, Boyhood, and Youth follow a fictional development informed by Tolstoy’s early experience. Read Anna Karenina or War and Peace in sustained stretches; Resurrection belongs to the later phase of his social and religious criticism.

  1. Childhood
  2. Boyhood
  3. Youth
  4. War and Peace
  5. Anna Karenina
  6. Resurrection

Longer stories and novellas

The Death of Ivan Ilyich is a focused entrance into Tolstoy’s writing about mortality. The Cossacks and Hadji Murad approach the Caucasus from different moments in his career; their settings also require attention to empire and unequal power.

  1. Two Hussars
  2. A Landowner’s Morning
  3. Family Happiness
  4. The Cossacks
  5. Polikushka
  6. The Death of Ivan Ilyich
  7. Kholstomer: The Story of a Horse
  8. Walk in the Light While There Is Light
  9. Notes of a Madman
  10. The Kreutzer Sonata
  11. The Devil
  12. Master and Man
  13. Father Sergius
  14. Hadji Murad
  15. The Forged Coupon
  16. The Decembrists
  17. The Posthumous Memoirs of Fyodor Kuzmich

Collected short fiction

The three Sevastopol sketches stay together. The remaining short fiction is grouped by the collected edition’s boundaries, including folk tales, fables, adaptations, and surviving fragments; individually listed novellas and educational readers are excluded from those groups.

  1. Sevastopol Sketches
  2. Other Early Stories and Juvenilia
  3. Folk Stories and Parables
  4. Other Later Stories and Fragments

Plays and dramatic fragments

The Power of Darkness makes household dependence and violence visible in dialogue. The other plays range from satire to moral drama. Unfinished scripts and short dramatic conversations retain their fragmentary status.

  1. The Infected Family
  2. The Nihilist
  3. The First Distiller
  4. The Power of Darkness
  5. The Fruits of Enlightenment
  6. Peter the Breadman
  7. The Light Shines in Darkness
  8. The Living Corpse
  9. The Wisdom of Children
  10. The Traveler and the Peasant
  11. The Cause of It All
  12. Other Dramatic Fragments

Religion, ethics, and social criticism

A Confession explains the crisis from which Tolstoy’s later religious writing developed. The Kingdom of God Is Within You develops nonresistance; What Is Art? brings his moral expectations to artistic practice. These arguments belong alongside his fiction without erasing differences of form.

  1. A Confession
  2. A Critique of Dogmatic Theology
  3. What I Believe
  4. The Four Gospels: Harmonization and Translation
  5. The Gospel in Brief
  6. What Then Must We Do?
  7. On Life
  8. The Kingdom of God Is Within You
  9. What Is Art?
  10. Christian Teaching
  11. What Is Religion and What Is Its Essence?
  12. The Slavery of Our Times
  13. On Shakespeare and the Drama
  14. The Law of Love and the Law of Violence
  15. Other Essays, Appeals, and Public Writings

Education, readers, and compilations

The educational books mix instruction with stories and adapted material. The later calendars and reading cycles also gather other writers; Tolstoy’s role as compiler or translator must remain distinct from authorship of their sources.

  1. Educational Articles and School Documents
  2. ABC Book
  3. New ABC Book
  4. Russian Reading Books
  5. Calendar with Proverbs for 1887
  6. Thoughts of Wise People for Every Day
  7. A Circle of Reading
  8. For Every Day
  9. The Path of Life
  10. Other Translations, Adaptations, and Compilations

Memoirs, diaries, correspondence, and drafts

Private writings show the long duration of Tolstoy’s self-examination. The bibliography uses the ninety-volume Jubilee Edition as a historical boundary, rather than claiming an exhaustive account of material discovered or edited later.

  1. Memoirs and Autobiographical Fragments
  2. Diaries and Notebooks, 1847–1910
  3. Surviving Letters, 1844–1910
  4. Drafts, Plans, and Variants
Reading guide sources
  1. Irina V. Petrovitskaya, “Leo Tolstoy: Publicist and Public Figure,” Tolstoy.ru / Moscow State University scholar’s guide, undated; accessed 21 October 2026, Chronological guide to religious, educational, and social writings. State Museum of Leo Tolstoy and Yasnaya Polyana Museum, “Complete Works in Ninety Volumes,” Tolstoy.ru, 1928–1958; accessed 21 October 2026, Volume list: works 1–45, diaries 46–58, letters 59–89, additions 90.
  2. State Museum of Leo Tolstoy and Yasnaya Polyana Museum, “Complete Works in Ninety Volumes,” Tolstoy.ru, 1928–1958; accessed 21 October 2026, Volume list: works 1–45, diaries 46–58, letters 59–89, additions 90.
  3. State Museum of Leo Tolstoy and Yasnaya Polyana Museum, “Complete Works in Ninety Volumes,” Tolstoy.ru, 1928–1958; accessed 21 October 2026, Volume list: works 1–45, diaries 46–58, letters 59–89, additions 90.
  4. State Museum of Leo Tolstoy and Yasnaya Polyana Museum, “Complete Works in Ninety Volumes,” Tolstoy.ru, 1928–1958; accessed 21 October 2026, Volume list: works 1–45, diaries 46–58, letters 59–89, additions 90.
  5. State Museum of Leo Tolstoy and Yasnaya Polyana Museum, “Complete Works in Ninety Volumes,” Tolstoy.ru, 1928–1958; accessed 21 October 2026, Volume list: works 1–45, diaries 46–58, letters 59–89, additions 90.
  6. Leo Tolstoy; Jubilee Edition scholarly editorial board, “Complete Works in Ninety Volumes, volume 7,” State Literary Publishing House; Tolstoy.ru digital edition, 1928–1958; accessed 21 October 2026, Main writings and table of contents. Leo Tolstoy; Jubilee Edition scholarly editorial board, “Complete Works in Ninety Volumes, volume 26,” State Literary Publishing House; Tolstoy.ru digital edition, 1928–1958; accessed 21 October 2026, Main writings and table of contents. Leo Tolstoy; Jubilee Edition scholarly editorial board, “Complete Works in Ninety Volumes, volume 37,” State Literary Publishing House; Tolstoy.ru digital edition, 1928–1958; accessed 21 October 2026, Main writings and table of contents.
  7. Irina V. Petrovitskaya, “Leo Tolstoy: Publicist and Public Figure,” Tolstoy.ru / Moscow State University scholar’s guide, undated; accessed 21 October 2026, Chronological guide to religious, educational, and social writings.
  8. State Museum of Leo Tolstoy and Yasnaya Polyana Museum, “Complete Works in Ninety Volumes,” Tolstoy.ru, 1928–1958; accessed 21 October 2026, Volume list: works 1–45, diaries 46–58, letters 59–89, additions 90.
  9. State Museum of Leo Tolstoy and Yasnaya Polyana Museum, “Complete Works in Ninety Volumes,” Tolstoy.ru, 1928–1958; accessed 21 October 2026, Volume list: works 1–45, diaries 46–58, letters 59–89, additions 90.

Works in the library

68 under development
Sources & portrait
  1. Yasnaya Polyana Museum, “History of Yasnaya Polyana,” Yasnaya Polyana Museum, undated; accessed 21 October 2026, 1828–1910: Tolstoy’s life at the estate.
  2. Irina V. Petrovitskaya, “Leo Tolstoy: Publicist and Public Figure,” Tolstoy.ru / Moscow State University scholar’s guide, undated; accessed 21 October 2026, Chronological guide to religious, educational, and social writings.

Portrait: Ilya Repin, Portrait of Leo Tolstoy, oil on canvas, 1887. State Tretyakov Gallery, Moscow. Displayed in monochrome. Image source. Public-domain historical work and faithful reproduction. Displayed in monochrome with a circular crop.

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